The objects in this show are on the move. Fascined to knapsacks and folding chairs the works are designed to fit in the trunk of a 2007 Ford Ranger and travel cross country from Montreal Quebec to Atlanta Georgia. Starting with the parable of the Wolf in Sheep’s Clothing I was interested in how the story has evolved from fable, to idiom to cliche. Over time it’s characters have been used to represent countless ideologies and public figures. Teaching us to discover our enemies true nature and warning us against pretending to be something we’re not, it is a story that attempts to solidify identities. Wolves retells the story as a narrative between disguises, weathered from their constantly changing roles and occupants. Like all disguises the work attempts to control the direction of sight, to allow its movement outwards and to block its movement inwards. Each work contains a set of eyes. Through cameras, cellphones, and binoculars, they observe each other’s masks.