Submission
January 19, 2024

Waters of Hypoxic & Once Tropic

Kristina Õllek @Tütar gallery, Tallinn
October 05 — November 19, 2023

Absorbing Hypoxic Sea Water (2023) Pigment ink print, 40×60 cm, with grown sea salt, cyanobacteria, green fluorescent pigment, limestone, marine chain.

Standing in the sea, with rolling waves caressing our feet, carrying sand back and forth between the shoreline and the murky waters, we are standing in the deep past. A past that wasn’t divided into years, days, hours and minutes by calendars and clocks, but flowed in an endless multitemporal current. A past that witnessed abundant and long-gone life forms and materials that have become the fuel for the present and the catastrophes of the future.

Through photographic works and installations combining limestone, sea salt, clay and bioplastics, Õllek has created a bridge between the present moment and the biodiverse equatorial and tropical past of the local seabed. She has exposed the geological time of the Baltic Sea – the stories of which are narrated by crinoids, tabulata, trilobites, brachiopods, cephalopods, cyanobacteria and other fossilised ghosts of the ancient marine life. While we mostly associate cyanobacteria with the toxic blue-green algae that keeps us from having a swim in bodies of water, these bacteria have witnessed the billions of years of evolution and progress while remaining almost unchanged themselves.
The sea remembers.

Õllek is thinking with the sea: its past, present and future, marine life, bacteria and minerals, to tell the story of how cyanobacteria, while so integral to the oxygen cycle, have transformed into suffocating toxicity through intensive agriculture, fertiliser runoff and pollution, as well as due to the slow water exchange in the Baltic Sea and rising sea temperatures. This all leads to hypoxic zones where oxygen is depleted and biodiversity is lost. The slow violence, almost invisible to the eye, which first affects the weakest life forms, has escalated to the point where it can no longer be ignored.
The sea is suffocating.

The underlying research on marine ecology and anthropocentric influences, both in the context of the North Sea and the Baltic Sea, is rooted in Õllek’s interest in the relationship between new technologies and extractivist thinking, including the controversial issue of deep-sea mining. The sea echoes humanity’s desires and fears: standing in the sea, we are simultaneously standing in the deep past of tropical waters once teeming with life and in the deep future of waters asphyxiated by toxic capitalism.

— Annika Toots

Absorbing Hypoxic Sea Water (2023) Pigment ink print, 40×60 cm, with grown sea salt, cyanobacteria, green fluorescent pigment, limestone, marine chain.
Borealis Borealis, I see you (2023) Pigment ink print on aluminium, 97 × 139 cm, cnc cutting, clay.
Borealis Borealis, I see you (2023) Pigment ink print on aluminium, 97 × 139 cm, cnc cutting, clay.
Fluxes of Sediments no.1 (2023) Pigment ink print, 40×57 cm, with grown sea salt, cyanobacteria, green fluorescent pigment, limestone, marine chain.
Fluxes of Sediments no.1 (2023) Pigment ink print, 40×57 cm, with grown sea salt, cyanobacteria, green fluorescent pigment, limestone, marine chain.
Fluxes of Sediments no.1 (2023) Pigment ink print, 40×57 cm, with grown sea salt, cyanobacteria, green fluorescent pigment, limestone, marine chain.
Fluxes of Sediments no.2 (2023) Pigment ink print 40×57 cm, with grown sea salt, cyanobacteria, green fluorescent pigment, limestone, marine chain.
Fluxes of Sediments no.1 (2023) Pigment ink print, 40×57 cm, with grown sea salt, cyanobacteria, green fluorescent pigment, limestone, marine chain.
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Silurian Waters getting updates on Current Waters (Trilobite) (2023) Diasec, 21×30 cm, clay, tablet holder, LED light, 19 L bottle with the water from the Baltic Sea.
Silurian Waters getting updates on Current Waters (Trilobite) (2023) Diasec, 21×30 cm, clay, tablet holder, LED light, 19 L bottle with the water from the Baltic Sea.
Silurian Waters getting updates on Current Waters (Trilobite) (2023) Diasec, 21×30 cm, clay, tablet holder, LED light, 19 L bottle with the water from the Baltic Sea.
Silurian Waters getting updates on Current Waters (Trilobite) (2023) Diasec, 21×30 cm, clay, tablet holder, LED light, 19 L bottle with the water from the Baltic Sea.
Silurian Waters getting updates on Current Waters (Trilobite) (2023) Diasec, 21×30 cm, clay, tablet holder, LED light, 19 L bottle with the water from the Baltic Sea.
Silurian Waters getting updates on Current Waters (Trilobite) (2023) Diasec, 21×30 cm, clay, tablet holder, LED light, 19 L bottle with the water from the Baltic Sea.
Silurian Waters getting updates on Current Waters (Trilobite) (2023) Diasec, 21×30 cm, clay, tablet holder, LED light, 19 L bottle with the water from the Baltic Sea.
The Flow Through The Metal Grids of Water, Cyanobacteria, Sea Salt, and Other Geopolitics of Power (2022) Metal grid frames with grown sea salt, cyanobacteria, green fluorescent pigment, limestone, marine chain.
Waters of Once Tropic (2023) Plexiglass, 50×67 cm, cnc cutting, clay, 19 L bottles with the water from the Baltic Sea, limestone.
Waters of Once Tropic (2023) Plexiglass, 50×67 cm, cnc cutting, clay, 19 L bottles with the water from the Baltic Sea, limestone.
Waters of Once Tropic (2023) Plexiglass, 50×67 cm, cnc cutting, clay, 19 L bottles with the water from the Baltic Sea, limestone.

Waters of Hypoxic & Once Tropic
Kristina Õllek

Tütar gallery, Tallinn
October 05 — November 19, 2023

Text author: Annika Toots.

Photography: Kristina Õllek / All images copyright and courtesy of the artist and the gallery.

Graphic design and artist dialogue partner: Kert Viiart.

Special thanks: Kert Viiart, Mare Isakar, Carlotta Põdra, Tartu University Natural History Museum,
Artproof OÜ, Põhjakivi OÜ.

The exhibition is supported by the Estonian Cultural Endowment.

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