Using video games as both a central reference and a lens, this project explores the interconnectedness of body, virtual spaces, and reality. Guided by Huizinga’s Homo Ludens, the work focuses on the temporary arenas created while activating play, while reflecting on different notions of parasitism and escapism.

Analysing the parasitic process of Plagiorhynchus Cylindraceus, this exhibition examines two distinct environments within its life cycle — the stomachs of singing birds and the interiors of pill bugs’ shells — unravelling the complexities of escapism and parasitism.

The stomachs of singing birds serve as enclosed spaces from which the parasite seeks constant escape. Once inside the pill bug’s shell, the parasite drives the isopod into a zombie-like state, echoing the control that players exert over video game characters.

Virtual Parasite: Songs of Escape brings these intricate ideas of escapism and parasitism into focus, drawing parallels with the dynamics of the virtual world.