Submission
October 31, 2023

Unknown Unknowns

Christian Roncea @WesEnd Projekt, The Hague
October 10 — November 11, 2023

Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023

For the first solo exhibition in The Netherlands after graduating from the Royal Academy in The Hague, Christian Roncea (b.1998) made a body of all new work consisting of paintings, drawing and sculpture that together form a new direction in their practice. In Unknown Unknowns, Roncea explores a fascination for the history of European paintings in terms of perspective. The most recent series, Pillar Paintings, consists of vertical and slender-like canal houses, or the thin spaces in between front doors that merge houses in The Netherlands to each other. Drawing from a range of references from mythic obelisks to recent pop cultural happenings, his recent and past work feature an inner world plot to the narrative of the show that the viewer can gaze upon but remains unknown to their eyes.

— Jesse van der Tuuk

Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023
Unknown Unknowns Christian Roncea, WesEnd Projekt, Den Haag, 2023

Unknown Unknowns
Christian Roncea

WesEnd Projekt, The Hague
October 10 — November 11, 2023

Curation: Annemieke Louwerens, Jesse van der Tuuk

Text: Jesse van der Tuuk

Photography: Michał Betta/ All images copyright and courtesy of the artist and gallery.

The exhibition Unknown Unknowns features a range of works from 2020-2023 with the most recent works being produced during an artist residency at Billytown (The Hague) in 2023. Unknown Unknowns is kindly supported by Stroom Den Haag.

Christian Roncea (b.1998) is a Romanian/American artist and curator living and working in The Hague, NL. Graduated from the Royal Academy of Fine Arts in The Hague (KABK) in 2020 as a Bachelor in painting, Roncea has consistently developed a personal practice across different mediums. Their work is characterized by a fluid and versatile approach to painting which results in intricate and colorful representations of a fantastical underworld. The themes revolving around his work are part of an ever-growing research on trickster archetypes and their role in society. The interest in these subjects derive from a desire to demystify the perception of art, to disrupt outdated narratives and to question the Status Quo within the art world. Roncea’s curatorial practice comes as an extension of their artistic practice which started with the offsite guerrilla exhibition series Dharma Initiatives (2020) to more recent curatorial projects such as Corporate stoner (2022) and Nothing Sacred (Ongoing).

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