The Marble Mouth Oracle

Joe Bochynski, Caleb Jamel Brown, You Ni Chae, Gabriel Cohen, Jesse Genepi, Sarah Miska, Erik Probst, and Randy Wray

Curated by Andrew Woolbright

At Below Grand Gallery, New York

October 01— November 07, 2021

A gelatinous saudade has created its own forever-amnesia. Time has been more liquid, free-floating, moves quick with disaster and then gets stuck for weeks on end in gooey epoche. Whatever you call it– the long 90s, the infinite now, the end of history, the altermodern – it all has the speed of a lava lamp. Lacking memory, it can only offer aleatory repetition and viscous non-savoir. The shapes the lava lamp generates aren’t trying to repeat the shapes that came before, but they often do.

 

When the oracle finally goes to speak, marbles start dropping out of his mouth and rolling along the floor. The oracle can’t get the meaning out. The harder he tries to mouth the words the more marbles keep falling; and the more the noise sounds like a chanting murmur. Soon, the marbles carry and become the message. The bouncing, clicking, animism rolls away.

 

The marbles are whispering to each other as they roll. It is a vibrant, permanent murmur that exists between them. To us, it is all noise without a signal, but deep down we know that it has syntax. We just can’t make sense of it. We listen in but we haven’t been invited to the dance.

— Andrew Woolbright

Installation view of The Marble Mouth Oracle. Pictured (left to right): Sarah Miska, You Ni Chae, Caleb Jamel Brown, and Randy Wray
Installation view of The Marble Mouth Oracle. Pictured (left to right): Sarah Miska, You Ni Chae, Caleb Jamel Brown, and Randy Wray
Installation view of The Marble Mouth Oracle. Pictured (left to right): You Ni Chae, Caleb Jamel Brown, and Randy Wray
Installation view of The Marble Mouth Oracle. Pictured (left to right): Sarah Miska, You Ni Chae, Caleb Jamel Brown, and Randy Wray
Installation view of The Marble Mouth Oracle. Pictured (left to right): Sarah Miska, Randy Wray, and Jesse Genepi
Installation view of The Marble Mouth Oracle. Pictured (left to right): Joe Bochynski, Sarah Miska, and Randy Wray
Installation view of The Marble Mouth Oracle. Pictured (left to right): Joe Bochynski, Sarah Miska
Installation view of The Marble Mouth Oracle. Pictured (left to right): Randy Wray and Jesse Genepi
Installation view of The Marble Mouth Oracle. Pictured (left to right): Sarah Miska and Randy Wray
Installation view of The Marble Mouth Oracle. Pictured (left to right): Randy Wray and Gabriel Cohen
Installation view of The Marble Mouth Oracle. Pictured (left to right): Randy Wray, Jesse Genepi, and Gabriel Cohen
Randy Wray. Relic. Wood, foam, plastic, papier-mache, acrylic, sand. 52 x 37 x 26 inches. 2017
Randy Wray. Accelerator. Wood, papier-mâché, denim jeans, test tubes, quartz crystals, wire, coins, buttons, acrylic paint, oil paint, Aqua-Resin, epoxy resin. 64 x 34 x 25 inches. 2011
Randy Wray. Accelerator. Wood, papier-mâché, denim jeans, test tubes, quartz crystals, wire, coins, buttons, acrylic paint, oil paint, Aqua-Resin, epoxy resin. 64 x 34 x 25 inches. 2011
You Ni Chae. Keyhole. Oil on canvas. 13 x 27 inches. 2015
Sarah Miska. Champing at the Bit. Acrylic on canvas. 48 x 36 inches. 2021
Caleb Jamel Brown. Deja vu, in Reverse. Inkjet print, cyanotype, clothes pins, grommets, acrylic, brads, spikes, and enamel on textile. 41x 65 in. 2021
Jesse Genepi. Threshold. Oil and spray on canvas. 16 x 20 inches. 2021
Erik Probst. Floral Sculptor. Ink on paper. 18 x 19 inches. 2021
Gabriel Cohen. Ganymede Wasted. Graphite on paper, plaster, fiberglass, and plywood and pine frame. 20 x 48 inches. 2021
You Ni Chae. Heir. Oil on canvas. 12 x 15 inches. 2020
You Ni Chae. Vestige. Oil on canvas. 19 x 25 inches. 2021
Top: Sarah Miska. Rider with helmet. Acrylic on paper. 9 x 12 inches. 2021 Bottom: Sarah Miska. Brown Horse with Braid. Acrylic on paper. 9 x 12 inches. 2021