Smile, angry lamb

Vitaly Bezpalov, Vladimir Chernyshev, Collective Actions Group, Genevieve Goffman, Dima Gred, Dasha Kuznetsova, Christopher Brodie Peckham, Ilya Smirnov

At Daipyat, Voronezh

Curated by Ilya Smirnov

March 13 – 31, 2020

The city of Voronezh was a place of exile for a Russian-Jewish Acmeist poet Osip Mandelstam. On Jan. 2, 1937 he wrote Smile, angry lamb—a semi-accurate description of the scene in Rafael’s Sacra Famiglia con l’angello. While involuntarily based in the remote province, O.M. didn’t have physical access to the originals of Rafael’s work, nor to any reproductions. The poem’s painting differs from the source in many ways. Soft background and fuzzy vegetation of the original is replaced by the bare and unwelcoming rocky landscape. The gentle gradient of the sky turns into a dramatic clash of sharp-edged clouds. The Lamb of God looks angry unlike Rafael’s rather cheerful rendering.

Cristo acompáñame. Cristo ante mí. Cristo detrás de mí. Cristo en mí. Cristo debajo de mí. Cristo sobre mí. Cristo a mi derecha. Cristo a mi izquierda. Cristo en el corazón.

Sedientos. Tenemos sed.

— Ilya S. FEB 11, 1:53AM St. Petersburg
Installation view
Collective Actions Group, Golden lines in Izmailovo, 2020, laminated evidence 1/20, 188 x 145 mm, courtesy of Plamen gallery, Moscow
Installation view
Installation view
Genevieve Goffman, Dreambed, Extra-Cloud Edition, (Tower and the City #5), 2020, CNC milled XPS foam, glue, 440 x 430 x 508 mm
Installation view
Dasha Kuznetsova, Русский сон, 2020, oil on canvas, 245 x 340 mm
Installation view
Vladimir Chernyshev, Untitled, 2012, graphite and ink on wrapping paper, 127 x 140 mm unframed
Vladimir Chernyshev, Untitled, 2012, graphite and ink on wrapping paper, 127 x 140 mm unframed
Installation view
Vitaly Bezpalov, Human's Pod (Always CC Pre_Seed) VII, 2020, Princess Noori black tea soaked masking tape on foam board, varnish, cocaine, 245 x 1000 x 30 mm
detail: Vitaly Bezpalov, Human's Pod (Always CC Pre_Seed) VII, 2020, Princess Noori black tea soaked masking tape on foam board, varnish, cocaine, 245 x 1000 x 30 mm
Installation view
Christopher Brodie Peckham, Nearly Now, 2017, colored pencil on paper, 272 x 212 mm unframed
Vitaly Bezpalov, Aboli bibelot d'inanité sonor, 2020, Princess Noori tea bags in steel bowl, water, dimensions vary
Installation view
Dima Gred, Untitled, 2018, photographic print on cotton paper, 337 x 440 mm
lya Smirnov, 36912 60153045 9999 5, 2020, coloured chalk on tiled wall, dimensions vary
detail: Ilya Smirnov, 36912 60153045 9999 5, 2020, coloured chalk on tiled wall, dimensions vary

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