A chorus of rustling sewage, morphing sinews, and creaking skin. Chimerical beings dissolve the boundaries of the body. A crystallizing shell, a hairy synthetic, a steaming toxin — aberrations of matter construct themselves and animate wild connections. They follow the pulse of multiplicity, which is all-encompassing and yet sensually unfathomable. Shells prove permeable. Gaps emerge, leading to a change of perspective, initiating a search for the uncanny.

Over-stylized layers serve as powerful symbols, conveying messages of hope. Jagged edges conspire with familiar contours; mixing contexts. The encounter becomes a call to acknowledge the constant cycles of change. It reveals the depth of unknown intentions that accumulate in an imaginary world. It confronts strange consciousness, agency, and will.

The exhibition eludes ontologization, preceding existence. Thus, it seems infinitely distant from reality and aesthetically isolated. Its space is a spiral, moving between the fantastic and the real, charm and absence. Here, the act of viewing itself is under observation. The closer to reality, the more unimaginable it becomes. In the face of the simplicity of binary order, the exhibition can appear mysterious and darkly sweet, as something difficult to recognize. Relying on the affirmation of strangeness and the disruption of transparency, it triggers fantasies witch effects go beyond those familiar.