Submission
MAY 31, 2023

Mad Honey Mountain

Felix Kultau at Åplus Berlin
April 28 — June 03, 2023

Installation view: "Mad Honey Mountain", Åplus Berlin, 2023

Letter from Jens Soneryd to Felix Kultau. Mad Honey Mountain. 28 April–3 June, 2023. Åplus, Berlin.

Dear Felix,

When we met in your studio at the beginning of April we talked about many things: locker room scenes in Hollywood movies, Hegel, the eternal battle between good and evil, and class blindness. We also talked about emotions and how they are conveyed in the language of logotypes, sticker pictures, movie posters, and emojis.

You have dealt with many different emotions in your works: fear, sadness, anxiety, happiness … I forgot to ask about your favorite emotion. Historically, melancholy had its heydays during Romanticism, angst has been fashionable from time to time, and in recent years, right wing-populism has put anger, bitterness and hatred on the agenda. Anyway, it’s obvious that happiness by far is the most popular emotion of all. Already Plato regarded happiness as the supreme aim. But he stresses that you need certain virtues and skills, especially self-control, to get there.

Something peculiar happens when emotions like happiness are represented visually. Take the Smiley face for example. It is not as innocent as it appears. It is an attempt to depict a pure emotion (happiness as a platonic form), disconnected from time and everything that goes on around it. It is a perfect representation of the high-demand commodity that happiness has become: unambiguous, independent, fixed.

When I grew up, I had a friend who always looked happy. Maybe it was because he and his family were faithful Christians. We both liked heavy metal, and his main problem in life was that at home he only could listen to Christian heavy metal bands with names like Jerusalem. Once, I think I was 11, we played football on his street, and one of his neighbor’s–a woman with baby in a stroller–came by and started chatting to him. She was beautiful, and looked warm and friendly. Suddenly, she turned to me and said: ”Why do you look so grumpy?” Her comment surprised and embarrassed me. I didn’t feel grumpy at all. I didn‘t know what to reply, so instead I tried to smile, in the same natural and carefree way as my friend.

The woman‘s comment made me self-aware. I decided to improve my facial expression. It was however, more challenging than I thought to smile and look happy all the time. After a while I gave up. Still, I didn‘t want to look grumpy. Maybe, the solution wasn‘t to look happy, but to become happy? Next Sunday, I joined my friend and his family to visit their church.

My encounter with the church was disastrous. I was overwhelmed by the collective joy and the huge number of smiling faces and singing voices. Surrounded by happy people, I felt more miserable than ever. I didn‘t even try to smile, and I never went back there again.

Ok Felix, here is a summary of what I‘ve learned about happiness the last couple of days: Happiness studies are boring and will make readers unhappy; It is great to be happy, but we shouldn‘t strive for it; either one is happy or one is not, or as Ludwig Wittgenstein more beautifully put it: ”Die Welt des Glücklichen ist eine andere als die des Unglücklichen.”

My best,
Jens

Installation view: "Mad Honey Mountain", Åplus Berlin, 2023
Installation view: "Mad Honey Mountain", Åplus Berlin, 2023
Installation view: "Mad Honey Mountain", Åplus Berlin, 2023
Felix Kultau - Stop Crying Your Heart Out / Light, 2023, Metal, wood, acryl, foil, LED tube, 112 x 66 x 14 cm / 44 1/8 x 26 x 5 1/2 in
Installation view: "Mad Honey Mountain", Åplus Berlin, 2023
Installation view: "Mad Honey Mountain", Åplus Berlin, 2023
Felix Kultau - Stop Crying Your Heart Out / BRF, 2023, Corten-steel, rubber, 231 x 240 x 10 cm / 91 x 94 1/2 x 4 in
Felix Kultau - Stop Stop Crying Crying Your Your Heart Heart Out Out, 2023, Corten-steel, 223 x 110 x 4 cm / 87 3/4 x 43 1/4 x 1 5/8 in
Installation view: "Mad Honey Mountain", Åplus Berlin, 2023
Installation view: "Mad Honey Mountain", Åplus Berlin, 2023
Felix Kultau - The Future Smiled Bright / Inverted, 2023, Corten-steel, 200 x 80 x 6 cm / 78 3/4 x 31 1/2 x 2 3/8 in
Installation view: "Mad Honey Mountain", Åplus Berlin, 2023
Installation view: "Mad Honey Mountain", Åplus Berlin, 2023
Installation view: "Mad Honey Mountain", Åplus Berlin, 2023
Felix Kultau - Honey Bones, 2023, Bellboy Trolley, Wood, glass, 193 x 230 x 62 cm / 76 x 90 1/2 x 24 3/8 in
Felix Kultau - Frankenstein Locker, 2023, Metal, acryl, digital print, 167 x 83 x 4 cm / 65 3/4 x 32 5/8 x 1 5/8 in
Felix Kultau - Bumblebee, 2023, Metal, acryl, digital print, 166 x 81 x 4 cm / 65 3/8 x 31 7/8 x 1 5/8 in
Felix Kultau - Smile Locker, 2023, Oil-pastel, metal, acryl, digital print, 170 x 80 x 4 cm / 66 7/8 x 31 1/2 x 1 5/8 in
Felix Kultau - BLAST-OFF, 2023, Metal, acryl, digital print, 168 x 75 x 4 cm / 66 1/8 x 29 1/2 x 1 5/8 in
Felix Kultau - Bullet Locker, 2023, Metal, acryl, digital print, 174 x 65 x 4 cm / 68 1/2 x 25 5/8 x 1 5/8 in

Mad Honey Mountain
Felix Kultau

Åplus Berlin
April 28 — June 03, 2023

opening hours during Gallery Weekend Berlin: 
29. – 30.04. 12 – 6pm

Text: Jens Soneryd

Felix Kultau (b. 19849 was predominantly influenced creatively by the 1990s growing up. A group of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a varied collective of practitioners. A number of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most renowned member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood).

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