Loops and Breakthroughs
Sophia Eisenhut, Rahel Goetsch, Sonja Heim, Paula Heinrich, Marina Koestel, Wagehe Raufi, Evelyn Roh
At Magma Maria, Offenbach am Main, Germany
September 23 — October 16, 2022
As part of the exhibition ”Loops and Breakthroughs“ participating artists were invited to engage with Ursula K. Le Guin’s (1929 – 2018) approach to story-telling.
Reflecting on the prehistoric Neolithic Age, Le Guin’s essay suggests that the earliest cultural invention may have been a container, not a weapon. What’s the use of hunting down animals or gathering edibles if you don’t have the means to carry them home and store them, Le Guin asks. Before humans invented tools like weapons that force energy outwards, they produced devices that enable to bring energy home, she suspects. Therefore, Le Guin sees herself as an adherent of what she calls ”The Carrier Bag Theory“ of human evolution.
Le Guin contrasts this with a second mode of story-telling that she sees more in alignment with feminist approaches. Considering what may have been the first cultural invention, she prefers ascribing heroic attributes to devices that function as containers instead of weapons. According to Le Guin we’ve already heard enough stories about sticks, spears and swords. Instead she feels an urgency to tell stories from the vantage point of gathering and collecting. The ”natural, proper, fitting shape of the novel might be that of a sack, a bag“. With regards to the genre of science fiction Le Guin suggests to avoid the linear, progressive, ”killing-arrow-mode“ of story-telling and trades it for ”The Carrier Bag Theory Of Fiction“ (1986).
— Marlene Coates
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