OFLUXO

Los Angeles artist Parker Ito moves fluidly between sculpture, drawing,painting, and installation, donning his works a liquid quality throughreflective materials, as in ‘The Agony and the Ecstasy’ (2012), which featured spatters of paint on Scotchlite; or making them appear saturatedand information-heavy, as in his oil on linen reproductions of flower photographs taken with a flash, in Belle Époque and Oxford (both 2019).His exhibitions are rendered as circuits of material—a quality that willsee sculptures, paintings, videos connected and encircled by cords and chains at Château Shatto.