Klammern aus denen Blätter Sprießen

Colleen Hargaden, Filip Kostic, Yein Lee, Andrew Rutherdale and Jonas Schoeneberg

At Hunter Shaw Fine Art, Los Angeles

June 26 — July 24, 2022

Photography by Ruben Diaz

Hunter Shaw Fine Art is pleased to present the second iteration of Klammern aus denen Blätter Spriessen, an exhibition with works by Colleen Hargaden, Filip Kostic, Yein Lee, Andrew Rutherdale and Jonas Schoeneberg. The exhibition is a collaboration between HSFA and Berlin-based independent space Scherben, who hosted the first iteration in April 2022.

Klammern aus denen Blätter Spriessen assembles a group of artists who have independently sought to investigate different strains and subcultures of escapism, found in DIY maker movements, mysticism, gaming culture, biotechnology, virtual reality and the extension of bodily formations through social and scientific techniques. Showing in this ensemble for the first time, Colleen Hargaden, Filip Kostic, Yein Lee, Andrew Rutherdale and Jonas Schoeneberg venture out of their studios in Berlin, Los Angeles, Montreal and Vienna to open up their practices to mutual encounters, allowing their perspectives and interests to intersect, converge and enter into conversation with one another. Together they offer conceptual variables to understand situations excluded from normative notions of the real. Like the seemingly irreal scenario of “brackets, from which leaves sprout” (Klammern aus denen Blätter Spriessen), alternate patterns and cognitive abilities emerge from which to think anew the escape button commonly associated with configurations of virtual reality. If one of these pathways was projected in spacetime, it would read: “Once you’ve made a gateway of brackets, slipping into the embrace between them, you unlock the control console and peer into its memory slot. There. Expect a beautiful but unreal setting.”

The exhibition is kindly supported by the Checkpoint Charlie Foundation and the Austrian Consulate General.

— Steph Holl-Trieu

 

Installation view of Klammern aus denen Blätter Sprießen
Installation view of Klammern aus denen Blätter Sprießen
Installation view of Klammern aus denen Blätter Sprießen
Andrew Rutherdale Reason’s Nightmare I 2022 Laser-engraved SCOBY on acrylic panel, ABS, epoxy resin, aluminum framing, LEDs 15.75 x 12 inches
Andrew Rutherdale Reason’s Nightmare I 2022 Laser-engraved SCOBY on acrylic panel, ABS, epoxy resin, aluminum framing, LEDs 15.75 x 12 inches
Andrew Rutherdale Reason’s Nightmare I 2022 Laser-engraved SCOBY on acrylic panel, ABS, epoxy resin, aluminum framing, LEDs 15.75 x 12 inches
Filip Kostic Bed PC (Twin) 2022 Custom built water cooled pc, twin sized bed, 49” curved monitor, 2 27” monitors, mounting hardware, split ergonomic keyboard, mouse, and various hardware Dimensions variable
Filip Kostic Bed PC (Twin) 2022 Custom built water cooled pc, twin sized bed, 49” curved monitor, 2 27” monitors, mounting hardware, split ergonomic keyboard, mouse, and various hardware Dimensions variable
Filip Kostic Bed PC (Twin) 2022 Custom built water cooled pc, twin sized bed, 49” curved monitor, 2 27” monitors, mounting hardware, split ergonomic keyboard, mouse, and various hardware Dimensions variable
Filip Kostic Bed PC (Twin) 2022 Custom built water cooled pc, twin sized bed, 49” curved monitor, 2 27” monitors, mounting hardware, split ergonomic keyboard, mouse, and various hardware Dimensions variable
Screengrab from: Filip Kostic Bed PC (Twin) 2022 Custom built water cooled pc, twin sized bed, 49” curved monitor, 2 27” monitors, mounting hardware, split ergonomic keyboard, mouse, and various hardware Dimensions variable
Filip Kostic Bed PC (Twin) 2022 Custom built water cooled pc, twin sized bed, 49” curved monitor, 2 27” monitors, mounting hardware, split ergonomic keyboard, mouse, and various hardware Dimensions variable
Filip Kostic Bed PC (Twin) 2022 Custom built water cooled pc, twin sized bed, 49” curved monitor, 2 27” monitors, mounting hardware, split ergonomic keyboard, mouse, and various hardware Dimensions variable
Colleen Hargaden Terminal Island 2022 3D animation, monitor mounted on a pair shipping container door rods 96 x 40 inches
Play Video
Still from: Colleen Hargaden Terminal Island 2022 3D animation, monitor mounted on a pair shipping container door rods 96 x 40 inches
Still from: Colleen Hargaden Terminal Island 2022 3D animation, monitor mounted on a pair shipping container door rods 96 x 40 inches
Still from: Colleen Hargaden Terminal Island 2022 3D animation, monitor mounted on a pair shipping container door rods 96 x 40 inches
Play Video
Still from: Colleen Hargaden Terminal Island 2022 3D animation, monitor mounted on a pair shipping container door rods 96 x 40 inches
Installation view of Klammern aus denen Blätter Sprießen
Jonas Schoeneberg liminal_plate/sliced_receiver (excerpt) 2022 pigments on plaster 7.75 x 12 inches
Jonas Schoeneberg liminal_plate/sliced_receiver (excerpt) 2022 pigments on plaster 7.75 x 12 inches
Jonas Schoeneberg liminal_plate/sliced_receiver (excerpt) 2022 pigments on plaster 7.75 x 12 inches
Installation view of Klammern aus denen Blätter Sprießen
Andrew Rutherdale Reason’s Nightmare II 2022 Laser-engraved SCOBY on acrylic panel, ABS, epoxy resin, aluminum framing, LEDs 15.75 x 12 inches
Andrew Rutherdale Reason’s Nightmare II 2022 Laser-engraved SCOBY on acrylic panel, ABS, epoxy resin, aluminum framing, LEDs 15.75 x 12 inches
Jonas Schoeneberg liminal_plate/sliced_rift (excerpt) 2022 pigments on plaster 7.75 x 12 inches
Jonas Schoeneberg liminal_plate/sliced_rift (excerpt) 2022 pigments on plaster 7.75 x 12 inches
Installation view of Klammern aus denen Blätter Sprießen
Yein Lee Blooming on cybernetic’s spine 2021 Steel, plastic waste, PET sheet, fake flowers, epoxy putty, electrical wires, acrylic ink 45.25 x 27.5 x 30 inches
Yein Lee Blooming on cybernetic’s spine 2021 Steel, plastic waste, PET sheet, fake flowers, epoxy putty, electrical wires, acrylic ink 45.25 x 27.5 x 30 inches
Yein Lee Blooming on cybernetic’s spine 2021 Steel, plastic waste, PET sheet, fake flowers, epoxy putty, electrical wires, acrylic ink 45.25 x 27.5 x 30 inches
Installation view of Klammern aus denen Blätter Sprießen
Yein Lee Blooming on cybernetic’s spine 2021 Steel, plastic waste, PET sheet, fake flowers, epoxy putty, electrical wires, acrylic ink 45.25 x 27.5 x 30 inches
Yein Lee Blooming on cybernetic’s spine 2021 Steel, plastic waste, PET sheet, fake flowers, epoxy putty, electrical wires, acrylic ink 45.25 x 27.5 x 30 inches
Andrew Rutherdale Reason’s Nightmare III 2022 Laser-engraved SCOBY on acrylic panel, ABS, epoxy resin, aluminum framing, LEDs 15.75 x 12 inches
Andrew Rutherdale Reason’s Nightmare III 2022 Laser-engraved SCOBY on acrylic panel, ABS, epoxy resin, aluminum framing, LEDs 15.75 x 12 inches
Installation view of Klammern aus denen Blätter Sprießen
Installation view of Klammern aus denen Blätter Sprießen
Installation view of Klammern aus denen Blätter Sprießen
Installation view of Klammern aus denen Blätter Sprießen
Jonas Schoeneberg liminal_plate/sliced_fold (excerpt) 2022 pigment on plaster 7.75 x 12 inches
Jonas Schoeneberg liminal_plate/sliced_fold (excerpt) 2022 pigment on plaster 7.75 x 12 inches

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