Submission
August 27, 2024

Hare’s feet under a hearth

Sara Blosseville @Titanik, Turku, Finland
August 16 — September 15, 2024

Exhibition view

Coins are kept in the mouth of a dead person

“The forest rubs on also if one is hit by a twig or branch or if one stumbles on a stump, root, or something, so that one is startled. They are all that forest.”

Only a patch of smoke could be discerned on the horizon, but nothing of the sultry hills of the maiden’s native land. She knew not where she was, she did not recognize the still unnamed spurs of the Scythians, nor did she see the river Jiu; even less did she know that one day a border would be drawn through the water. For at that time no countries existed, and there were no borders. As a child the maiden had heard of this extreme, severe land along the Jiu, about the magic forests where people died of hunger, hallucinating and enjoying supreme ecstasy in the fury of their ruin.

As the maiden entered a grove of Aspen trees, she could see that her crimson horse was weary with exhaustion. She crouched before the horse and the pair lay down along the mossy terrain. But the maiden could not sleep for she was overcome with a dread she had never known. The canopy of Aspen trees shook violently overhead, they rattled and hissed, their sighs and moans choked the cool night air. The Aspens left her awed and anguished. Some agrestal essence emanated from them that besieged the maiden’s heart. She knew she had come to the edge of the world.

Although no villains pursued her any longer, the maiden found herself surrounded by a cloud of strange beings, a tempest of leaves thrashed past the quivering Aspens, she was in the region where the river veered unto the realm of the dead. Her eyes widened as the

immense column of shadowy creatures advanced upon her, she buried her face in the mane of her horse to temper the formidable howls of wind.

Suddenly, she could move neither forward nor backward, she could verily choose between the water and the overpowering beckoning of the Aspen grove, but in this saturnine gloom a brightness appeared before her, and she knew it could only be the light of a guardian spirit – this was no human mien – she pushed forward, mortally fearful but wholly enchanted and enthralled.

It became clear as she came upon the glow, that this was no ordinary light. The luminescence spilled forth from a flower which had not bloomed in earth’s bosom but unfurled into the muderous night: a swarthy bud that was bluer than blue. She stretched out her fingers toward the sapphire spark and at once felt the touch of another.

The wind and the rattling cries of the Aspens grew still, and by the cold glimmering light of the moon, which grew silver and strange above the stilling waters of the Jiu, she recognized the stranger in the black veil before her, grasping for her hand and covering her mouth with theirs, so she would not try to ask their name again. Once they released their hand from her face, they smiled with dark, warm eyes.

The figure in the black veil engulfed her at once, and she sank into their arms and onto the wet sand; the mysterious figure lay a garland of blue flowers across her fruiting body as if she were dead, concealing them both with the black veil once more.

As she slept she dreamed of floating over the river and onto the farthest shore where she came across a decrepit tree in which was a hollow containing many pieces of silver coin. The maiden took the coins and replaced them with her only belongings: two whetstones and the blade of a knife. Without warning, a butterfly sprang forth from her lips and flew into the cavity of the ancient tree, thence back to its earthly depths. She had quieted the elements, the true immortals. As the heavens cleared and the eternal curse lifted, the maiden awoke once more from her deathlike slumber.

— Kaitlyn D. Hamilton

Exhibition view
Exhibition view
Exhibition view
Exhibition view
Sara Blosseville, 2024. Chokeberry. Sublimation on aluminium, silk, trinkets, jewellery chunks
Sara Blosseville, 2024. Chokeberry. Sublimation on aluminium, silk, trinkets, jewellery chunks
Sara Blosseville, 2024. Chokeberry. Sublimation on aluminium, silk, trinkets, jewellery chunks
Sara Blosseville, 2024. Years. Dream pillow, negative phone image printed on cotton, mesh fabric, beads
Sara Blosseville, 2024. Cream Soda. Phone image printed on cotton, various fabrics, synthetic and organic textile fillings, beads, buttons
Sara Blosseville, 2024. Cream Soda. Phone image printed on cotton, various fabrics, synthetic and organic textile fillings, beads, buttons
exhibition view
Sara Blosseville, 2024. Cyclamen. Bridles, beads, pony care tools, metal wire, lucky charms, toy parts
Sara Blosseville, 2024. Cyclamen. Bridles, beads, pony care tools, metal wire, lucky charms, toy parts
Sara Blosseville, 2024. Cyclamen. Bridles, beads, pony care tools, metal wire, lucky charms, toy parts
Sara Blosseville, 2024. Cyclamen. Bridles, beads, pony care tools, metal wire, lucky charms, toy parts
Sara Blosseville, 2024. Cyclamen. Bridles, beads, pony care tools, metal wire, lucky charms, toy parts
exhibition view
Sara Blosseville, 2024. Glossary. Fake pumpkins, jaw prosthesis images printed on cotton, mesh textile, buttons, glue
Sara Blosseville, 2024. Human Nights. Birch bark box, image printed on cotton, bee’s wax, hot glue, silicone
Sara Blosseville, 2024. In Small Steps of Milk Sips, In Small Steps of Caterpillar Rain. Dried corn, ribbon, beads. Metal basin, colophon resin, fishing lure, jelly candle
Sara Blosseville, 2024. In Small Steps of Milk Sips, In Small Steps of Caterpillar Rain. Dried corn, ribbon, beads. Metal basin, colophon resin, fishing lure, jelly candle
Sara Blosseville, 2024. In Small Steps of Milk Sips, In Small Steps of Caterpillar Rain. Dried corn, ribbon, beads. Metal basin, colophon resin, fishing lure, jelly candle
Sara Blosseville, 2024. In Small Steps of Milk Sips, In Small Steps of Caterpillar Rain. Dried corn, ribbon, beads. Metal basin, colophon resin, fishing lure, jelly candle
Sara Blosseville, 2024. In Small Steps of Milk Sips, In Small Steps of Caterpillar Rain. Dried corn, ribbon, beads. Metal basin, colophon resin, fishing lure, jelly candle
Sara Blosseville, 2024. It Is Hard To Tell A Really Gripping Tale Of How I Wrestled A Wild-Oat Seed From Its Husk. Hunting lure, dried flowers, dices
Sara Blosseville, 2024. Ivy Leaved Toadflax. Photo album, digital images printed on photo paper, paper, staples, lamp, textile
Sara Blosseville, 2024. Pregnant Dusk. Metal basin, image printed on cotton, epoxy resin, iron, bronze, brass, latex, tapioca
Sara Blosseville, 2024. Pregnant Dusk. Metal basin, image printed on cotton, epoxy resin, iron, bronze, brass, latex, tapioca
Sara Blosseville, 2024. Rot Girl Summer. Laundry basket, apron, garlic garland, linen fibres, dried leaves, reflector, beads, quail egg shells
Sara Blosseville, 2024. Solar System (Home). Wool winder, silicone, metal wire, trinkets
Sara Blosseville, 2024. Solar System (Home). Wool winder, silicone, metal wire, trinkets
Sara Blosseville, 2024. Still There Are Seeds To Be Gathered, And Room In The Bag Of Stars. Phone image printed on cotton, various second hand fabrics, synthetic and organic textile fillings, beads, buttons

Hare’s feet under a hearth
Sara Blosseville

Titanik, Turku, Finland
August 16 — September 15, 2024

Text: Kaitlyn D. Hamilton.

Photography: Johanna Naukkarinen/ All images copyright and courtesy of the artist and the gallery.

Sara Blosseville (born 1994 in France) is a visual artist living in the woods of Vantaa. Their craft covers sculpture, mixed-media installations, textile art and publishing. They mostly use materials from the home that they make, grow, find, that’s recycled or second-hand. This leads them to use materials from life places and harvests in nature more than art supply shops. Since they graduated with a Master’s Degree from the sculpture department of University of the Arts Helsinki (2021), their work has been presented in duo and group exhibitions in Finland and internationally (Slovakia, France, Canada, Mexico), as well as off-site exhibitions online and book fairs.

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