During a course of almost three years, flatland was O Fluxo’s first online issue and explored several different ideas about art for online audiences, presenting a continuous feed of articles that tapped into the growing movement of generating art documentation as a medium on its own, to be displayed only for the online viewer, on the flat screen.
flatland reader presents a collection of art and theory that analyzes today’s post-digital conditions for critical media and artistic practise — the act of blurring the boundaries between the physical and the digital by generating art documentation as a medium on its own strictly for the
online audience.
Flatland Reader is not a document of the online issue itself but rather a
stand-alone exploration of the ongoing topics of the Flatland project
presented here in a printed format.