Submission
September 08, 2024

Dumping Ground

Group show curated by Mariette Moor, Noelle Turner and Andrew Kernan @Hypha HQ, London
August 08 — September 14, 2024

George Richardson ‘On hold’ (2023). Landline phone. 26 x 14cm.

Dumping Ground presents artists whose practices create new fictions or realities through the recycling of unwanted material, both physical and psychological. The exhibition has been turned into an immersive installation: the windows have been blocked off, covered in wads of cotton, and strange lighting coats the surfaces. Within the space, a graveyard of discarded matter has become a harvest for fertile life and mutation: walls sweat and swell as objects itch to redefine themselves; a man’s head becomes a CD drive, and insects litter the room. Dumping Ground asks, what happens to repressed things when left to rot? Images and objects are regurgitated, fused and multiplied. Walls are fractured, a bone is dislocated, and in its place grows something else, some kind of fungus undiagnosed.

Dumping Ground is a glimpse of an ongoing conversation on the slippage between reality and fiction, and the found and made. Whether ordinary or mutated, these works turn leftover material into new ‘things’ – uncanny and contagious in their quiet destabilisation of what we take for granted. Hybridity, once viewed as a perversion of the ordinary, is now inescapable. A term posited by Stacey Alaimo, ‘transcorporeality,’ emphasises how we are enmeshed in the world as porous products of what surrounds us; objects reach back at us as agents and repositories, sometimes viscerally but often too slowly or minutely to be witnessed. Either way, they will persist, likely outliving us. It is a step towards the democratisation of matter and a call to the invisible, asking what is revealed by this salvaging, this shift of care and attention.

Public Programme

1: Noelle will lead a writing workshop for children, using the show as a starting point to explore daydreaming as an act of rebellion. Participants will construct their own narratives where unnatural elements from their inner world are embedded in the everyday.
2: Mariette will run a collage workshop for young people exploring the uncanny within the domestic through exquisite corpse collage and the collaborative disassembling and reassembling of homes.

Malcolm Bradley ‘What Lies Beneath’ (2024). Copy of The Property Boom by Oliver Marrott, petroleum jelly. 22 x 19 x 3cm.
Mariette Moor ‘it hardly sings sat still’ (2024) Fly, paint, wax and glazed porcelain.10 x 8cm.
Mariette Moor ‘it hardly sings sat still’ (2024) Fly, paint, wax and glazed porcelain.10 x 8cm.
Mariette Moor ‘ear to tunnel’ (2024). Hoover, wax and audio. Sound made in collaboration with Jacob Taylor. 05:22 minutes. 48 x 28 x 23cm.
Noelle Turner ‘Dragonfly’ (2024). Pigment and bleach on cotton. 15 x 15cm.
Andrew Kernan. ‘Nana Anne’ (2024). Wood, glue, flowers, print. Dimensions variable.
Andrew Kernan. ‘Nana Anne’ (2024). Wood, glue, flowers, print. Dimensions variable.
Malcolm Bradley ‘What Lies Beneath (Boardroom I)’ (2024). Found image, petroleum jelly. 10 x 15cm.

Dumping Ground

Hypha HQ, London
August 08 — September 14, 2024

Artists: Federico Arani, Sofia Bordin, Malcolm Bradley, Ali Glover, Andrew Kernan, Vladimir Lalic, Eden McDowell, Mariette Moor, Joe Moss, George Richardson, Chris Thompson, Noëlle Turner, Orsola Zane.

Curation: Mariette Moor, Noelle Turner and Andrew Kernan.

Photography: All images copyright and courtesy of the artist and the gallery.

Kindly supported by British Land.

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