All Corners Made To Be Leaned

Anna Budniewski & Michael Dikta, Sarah Doolan, Till Gerhard Hausotte, Anna Hostek, HULFE, Leander Kreißl, knuddi2000, Arthur Löwen, Katerina Matsagkos, Philipp Naujoks, Phung Tien Phan, Sara Rossi, Anna Reutinger, Katharina Schilling, Georg Thanner, Lissy Willberg

At Attic Bayenwerft, Kunsthaus Rhenania Cologne, Germany

Invited by Eliza Ballesteros

March 12 — April 18, 2021

ALL CORNERS MADE TO BE LEANED


a house in a house


guarded against the risk of misfitting the body


an awl you feel at ease with from time – to the same degree it’s salving you


a whole journey took stage, rigidly enforced one might say


it might have ended in tragedy, classic catharsis


instead here a dwell in negative definiteness


just like soaking horse lips insatiably thirsty for a creek


– soft and humble, yet vast.


why is you house-shaped – is it you are providing a home?


‘what is left of home than an utter sense of bleakness, really?’


– your solitude venting,


it’s still not able to traverse, still hung up on perfect edges


though they long since watered down into serpentines.


a practice of bottoming from the top, who’s dissent as crucial as its soft-edge


don’t hesitate to linger


in what’s always slipping and twitching and crouching from your grip


sit down on the silkish and watery –


just to learn that from this perspective, the necessity of w-questions has dissolved


but still the i-question – again:


is you already home?


is a house shape enough?


my dear –


we’re here harvesting, picking the buttons prepared to intertwine two sides of the same coin


you and the arrows that have drawn you
slung further to built more home-shaped-hearts.


your thoughts endure a frame less frail


where all corners are made to be leaned
all the in-betweens sowed to sojourn


internal spaces all set up to make you both – fugitive and furniture-hermit.


sirens strike up an eerie sound, they echo back from our walls like violins.


now a time to leave your beloved verge


but letting what’s still composing with you


stick on your back like bubblegum.
no clockwork in becoming,


just making yourself house-shaped, home-shaped.


a let-go to serenity, my dear


since you’ve been weaponized with a warm shoulder.


while spiraling down dainty branches of cohesion


while now prepared to face your reflection in you,


reminiscence is built with oneself


its occurrence in every water, every silk, everything specular or written


– finally housebroken.


frankly, there’s been no anxiety more draining

 

it has even left purple traces on coping-relics – the paperpillar in front of you.


still, a thing as worthy as the no – thing


there is no matter if you just pretend to be wooden,


if you pretend to be fabric while merely being plastic


it’s all part of the you –


house.


however wretched taste it has left in your mouth


you’ve never got to savor a taste more moreish.

— Jana Dormann

Installation view All Corners Made To Be Leaned groupshow, Attic Bayenwerft Rhenania Cologne, 2021 Photos: Philipp Naujoks
Installation view All Corners Made To Be Leaned groupshow, Attic Bayenwerft Rhenania Cologne, 2021 Photos: Philipp Naujoks
Installation view All Corners Made To Be Leaned groupshow, Attic Bayenwerft Rhenania Cologne, 2021 Photos: Philipp Naujoks
Installation view All Corners Made To Be Leaned groupshow, Attic Bayenwerft Rhenania Cologne, 2021 Photos: Philipp Naujoks
knuddi2000 LILLI large 2020 fabric, satin, bubble wrap, 60 x 30 x 10 cm
Anna Reutinger ‚I was wrong and I just can't live without you’ 2021 silk, cotton, hair, black beans, avocado pits, iron, steel, faux pearls 140 x 100 x 50 cm
Phung Tien Phan Shoegirl, 2019 HD, no sound, Dimension variable, 2:11min
Sara Rossi 1.-4. Untitled 2020 pencil on paper, 330 x 235 mm
Sara Rossi 1.-4. Untitled 2020 pencil on paper, 330 x 235 mm
Anna Budniewski & Michael Dikta Stay Caution, 2021 |. 1m x 1.4m, acryl on fabric ||. 1.4m x 2m, acryl on fabric
Eliza Ballesteros TAUSEND JAHRE SCHEISSE (Jesters End) 2021 vinyl, latex, wax cord, chrome bells 50 x 70 x 30 cm
Eliza Ballesteros TAUSEND JAHRE SCHEISSE (Jesters End) 2021 vinyl, latex, wax cord, chrome bells 50 x 70 x 30 cm
Philipp Naujoks Zu Farn zum Moos 2021 Photochemistry on canvas, pigment, aluminium, machine screw 144 x 104 cm
Philipp Naujoks Zu Farn zum Moos 2021 Photochemistry on canvas, pigment, aluminium, machine screw 144 x 104 cm
Arthur Löwen Index (Blatt 1) 2020 Acryl on paper 40 x 30 cm
HULFE Inflation Wallet 2021 velvet, moire, fringed shoulder strap, 34 x 26 cm
Georg Thanner Leserin (Habe nun) 2020 watercolor, pen on paper 297 x 210 mm
Jana Dormann All Corners Made To Be Leaned 2021 Text 22 x 30 cm
Katerina Matsagkos Element 2020 ceramic 90 x 20 cm
Katerina Matsagkos Wax Bricks 2020 16 x 11,5 x 9,5 x 5 cm each 9 x 23 x 11,5 x 5 cm each
Katharina Schilling The Opening (reflected)2020 oil on canvas 40 x 20 cm
Installation view All Corners Made To Be Leaned groupshow, Attic Bayenwerft Rhenania Cologne, 2021 Photos: Philipp Naujoks
Sarah Doolan waylaid (and tangled) 2021 fabric, cardboard, acrylic paint, acrylic glass, polyurethane foam 190 x 145 x 12 cm
Sarah Doolan waylaid (and tangled) 2021 fabric, cardboard, acrylic paint, acrylic glass, polyurethane foam 190 x 145 x 12 cm
Leander Kreißl Ohne Titel2 2021 pencil on paper 65 x 50 cm
Leander Kreißl Ohne Titel1 2021 pencil on paper, fly 65 x 50 cm
Leander Kreißl Ohne Titel1 2021 pencil on paper, fly 65 x 50 cm
Anna Hostek SOUR CHERRY LIQUEUR 2020 collected textile, 380 x 320 cm
Till Gerhard Hausotte Auf den Feldern fault das Korn 2021 embroidery, acryl on canvas 140 x 165 cm
Installation view All Corners Made To Be Leaned groupshow, Attic Bayenwerft Rhenania Cologne, 2021 Photos: Philipp Naujoks
Lissy Willberg A hand-knitted heedfulness 2020 sound 02.32 min (optimized for headphones) URL: http://www.lissywillberg.info/ahand-knittedheedfulness