“O Fluxo aims to disseminate a critical understanding of contemporary culture by promoting the work of emerging artists, thinkers and students from all over the world.”
Take on Julian-Jakob Kneer's BASTARDS (SHADOW WORKERS) at Galleri Golsa, Oslo featuring an essay by Tea Hačić-Vlahović as well as an excerpt from Adam Lehrer's review for STUDIO magazine.
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Submissions
Latest Entries:
Ceci tuera cela
Eliott Paquet @Poush, Aubervilliers
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dilithium, chapter 2: doppelgängers
Group show curated by Jen Kratochvil @EXILE, Vienna, Austria
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PRESSKUCHEN
PIECES UNDER PRESSURE
Patricia Falk, Oliver Bleckmann and Arvid Jansen @LABOR Galerie, Köln
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Earthy Liquids and Heavy Metal [Hypersleep]
Lisa Seebach @Lechner Museum Ingolstadt
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#ofluxoselects
FOD: foreign object debris
Debut show from duo Cheval 23 (Simon Geringer & Jean Baptiste Durand) at Galerie Paris Horizon.
“As our faith in a better future slowly fades in the face of an increasingly oppressive reality, so do the ways in which we cope with the situation, learn to function in it and still have some fun despite the discomfort and stress. As the external conditions of the world we inhabit become more radical, so does the imagination of our resistance.
One of the primary inspirations for the creation of the Shapeshift Spaceship project is the work and life story of the artist Ovartaci (1894-1985). Ovartaci were born in Ebeltoft, Denmark as Louis Marcussen and assigned male at birth. In 1923 they moved to Argen- tina for work. There they traveled, experimented with psychedelic drugs, and in doing so gained a new view of themselves. Upon their return to Denmark in 1929, Marcussen were diagnosed with schizophrenia and interned in a facility in Aarhus. In this environ- ment, Marcussen adopted the gender-neutral pseudonym Ovartaci and in 1957 under- went a gender reassignment. During their long stay in the asylum, Ovartaci gradually created in paintings, drawings, carved statues and puppets a parallel universe inhab- ited by androgynous lizard-like creatures. (…)” — Šimon Kadlčák.
‘Shapeshift Spaceship’ — Group show curated by Šimon Kadlčák @Meet Factory, Prague, Czech Republic
Yein Plee's performative debut at CALM Centre d’Art La Meute in Lausanne, Switzerland as a part of the group show “This is the time of sweet sweet change for us all”.
„Ein Tag wie jeder andere“
Phil Stahlhut's grad show @HGB Gallery Leipzig
„Ein Tag wie jeder andere“ is a visual and tactile narrative of a life story. This installation bridges past and present, creating a space for reflection and dialogue. It illustrates how deeply rooted memories and traditions remain present in our lives, shaping and guiding us. The carefully selected objects represent not only personal memories but also universal themes such as craftsmanship, rural culture, and technological transformation.
WORLDS’ END SYMPOSIUM PUBLIC PROGRAMME (LECTURES, DISCUSSIONS, SCREENING)
AUGUST 17 — 18, 2024
With a two-day symposium open to the public and the closed-door role-playing game that follows it, this year’s edition of ARIA navigates a twilight terrain of our very weird present where reality and fiction, familiar and alien, past and future mingle and cross-bleed.
NephroStudio / Anna Ruth, Denis Bastuga @festivalnorma, Prague
Performers: Martine Sihelská, Jan Rajmont, Petr Bursa, Mary Nguyen, Anna Ruth, Denis Baštuga.
Graphics: Nephro Studio and Stanislav Zábrodský.
Co-organizers: studio hrdinu and festival norma.
As part of the groupshow “Arcanes, Rituels et Chimères”, Curated by Fabien Danesi @FRACCorsica (Public Regional Collection of Contemporary Art), La Citadelle, Corte, Corse, France.
Group show curated by Ján Gajdušek, Tereza Havlovicová @MeetFactory, Prague
w/ Julia Gryboś & Barbora Zentková, Johana Hnízdilová, Anna Jožová, Audrey Large, Judita Levitnerová, Tadeáš Podracký, David Střeleček, Roman Štětina, Tereza Vinklárková.
“I started Hellscape 3 years ago. The original idea was to create four small vitrines. At that time, I was using DAZ 3D, but it was too limiting. For various reasons the project was canceled. Fast forward six months, I revisited the project, but this time using Zbrush. Iustinian and I recycled some characters of the 1.0 work, but basically we redid the whole thing. Then came the lockdown in Shanghai, which meant I had a lot of free time imprisoned at home, to look into production. I wanted to directly print the figures and avoid molds, and I eventually found a resin vendor on Alibaba and convinced my 3D printer to start printing with this new resin. Massive headache and many failures later, we were sure that it was possible. Then followed another long process of figuring out the digital file size and printing all the figures out, which lasted over 1 year. To cast all the figures, it was another 4 months, a lot of things had to be redone. There’s a lot of manual work in bronze casting. The next thing was painting all these figures. We invented techniques using car paint, which is not what is typically used for, for example, Warhammer figures. Airbrushing work like that involves painstakingly covering up different pieces of clothing, skin, hair with tape, segment by segment, for 70 small monsters. That took around six months. The whole thing is finished after two years of work and a lot of investment, I wanted to cry, in a way it is such an absurd and silly project. But I think that the piece has only gotten more meaningful in our contemporary moments, for better or worse. I am glad that I saw it through and that it exists.” — Nik Kosmas.
— Hellscape 2021-23 230x150x150cm, cast and painted bronze diorama (3d sculpting: Iustinian Funie; Additional 3d: Evgeny Dontcov; Project manager: Cao Xiaochuang; 3d printing: Jam Zhan; Casting resin: Liam; Foundry: Chen; Painting: Allen Flames; Logo: Don Gianni)
Group show curated by Guillaume Baronnet w/ Haseeb Ahmed, Julie Villard & Simon Brossard, Angela Jimenez Duran, Simon Gabourg, JunLiu & Gael, Laura Gozlan, Adam Horvath, Eva Lhoest, Benoit Ménard, Manon Pretto
Curator: Guillaume Baronnet @Eglise Saint Remi / Cumulus, Bordeaux, France. On view until June 29.
“Timur Si-Qin’s third exhibition at Magician Space was inspired by his journey through Western China in the fall of 2023, focusing on the Hengduan Mountain Range in Western Sichuan, near the eastern edges of the Himalayas. This region is not only a unique ecoregion and a biodiversity hotspot, but it also cradles six major rivers that downstream provide water to one-third of the world’s population. Hengduan boasts one of the highest levels of biodiversity in China, supporting the richest temperate endemic flora worldwide. Protecting areas like Hengduan is vital to mitigating the severe impacts of global biodiversity loss. This diversity is the true treasure of China.
This exhibition builds on Timur’s ongoing research into how conservation cultures can be developed and sustained. “New Peace” is a long-term initiative that seeks to cultivate a nature-centric spirituality for the 21st century within our contemporary, post-secular society. Research also indicates a direct correlation between biodiversity and cultural diversity, suggesting that the variety of human cultures benefits nature. (…)”
‘A Vision of You’ — Timur Si-Qin @Magician Space, Beijing
“Kristi Cavataro, an emerging sculptor, is making waves with her innovative approach to stained glass artistry. Over the past four years, she has shifted the traditional use of stained glass from windows and lamps to dynamic sculptural forms. Through meticulous hand-cutting, grinding, and soldering, Cavataro creates intricate compositions that challenge the material’s limitations, resulting in captivating tubular sculptures that blur the line between reality and imagination. Her process involves revisiting and reconfiguring elemental forms, allowing her to experiment with scale, composition, and visual effects. As she continues to push the boundaries of stained glass sculpture, Cavataro remains driven by her fascination with color, form, and the endless possibilities offered by the medium.” —via @art
"DUALITY" is the brand new exclusive mix by ZULI for O Fluxo, a visual mixtape illustrated with the endless creativity of Art Crime which leaves the viewer floating within distinctive realms from dense and mediative into a more serene and transcendent ambience.
Experience it now with the visuals:
@Boerderijstraat 69a, Kortrijk, Belgium
Curated by Elders
Designers in residence, Aline Bouvy, Jim Campers, Xavier Mary, Jenkin van Zyl, Annabelle Binnerts, Stijn ter Braak, Barbara Leclercq, Isabelle Andriessen, Max Hooper Schneider.
“The artistic practice of Ju Young Kim, born in 1991 in Seoul, South Korea, encompasses installations and objects using materials such as glass, ceramics, metal, plastic and transport modules, the components of transport systems of aircraft and cars, for example, as well as elements that include landscapes and anonymous objects. The visual aesthetic of her works is characterized by the precision of form, color ambiguity, and often surreal elements. In her conceptual explorations, expressed in past and current series, she examines the relativity of space and time from the perspective of a transcontinental traveler. She investigates transitional states expressed through transformations of various physical and symbolic attributes that mostly occur in the so-called “transit zones” of our lives.”
— Excerpt from Tinatin Ghughunishvili-Brück’s curatorial text of ‘Dinosaurs were birds too’ at space n.n. Munich