In direct continuity with the first part of the De la Tendresse exhibition, the project takes as its starting point the desire to produce an absolutely anti-critical exhibition devoid of irony. A parallel is proposed between the tenderness experienced between beings within the home and that experienced with everyday objects: the home slides from symbolic space to materiality.
The artists confront the post-industrial space of POUSH – typical of artists’ studios in the Paris basin – with sensitive works invoking the domestic universe; they become shepherds of a set of gestures that are part of the field of everyday tenderness, like hyphens between beings and artefacts.