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Ju Young Kim
“The artistic practice of Ju Young Kim, born in 1991 in Seoul, South Korea, encompasses installations and objects using materials such as glass, ceramics, metal, plastic and transport modules, the components of transport systems of aircraft and cars, for example, as well as elements that include landscapes and anonymous objects. The visual aesthetic of her works is characterized by the precision of form, color ambiguity, and often surreal elements. In her conceptual explorations, expressed in past and current series, she examines the relativity of space and time from the perspective of a transcontinental traveler. She investigates transitional states expressed through transformations of various physical and symbolic attributes that mostly occur in the so-called “transit zones” of our lives.”
— Excerpt from Tinatin Ghughunishvili-Brück’s curatorial text of ‘Dinosaurs were birds too’ at space n.n. Munich
Dungeon Keepers: Earlier than Primordial Middle Ages
Botond Keresztesi and Stach Szumski @MeetFactory, Prague
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Shiver
Felix Kultau @ Philipp Pflug Contemporary, Frankfurt
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After The Orgy 001:
Maria Chiara Ziosi @Pharmakon Gallery, Bucharest
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BIDIM BLO!
Kenny Dunkan @basis, Frankfurt
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NEVER AGAIN LEISURE TIME
Axel Loytved @Gallery Mathias Güntner, Berlin
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Almost Time For a Bliss
Anna Ruth, Stanislav Zábrodský @PRÁM, Prague
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it was a hot day, a day that was blue all through
Group show curated by Anastasia Krizanovska @Crèvecoeur, Paris
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AGH1
Group show @Gallery 4, c/o Foundry, Downtown Dubai
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On View
This is my rock band – Moonlight
“In my project I present an installation inspired by animatronics. It features a pair of mechanical dolls influenced by the 1980s rock band «The Rock-afire Explosion,» known for its performances with mechanical animal figures. In contemporary culture, animatronics often take on roles in Internet folklore, contributing to the creation of creepypasta and Internet horror. The anthropomorphic appearance of these figures can evoke both cuteness and a sense of eeriness. The exploration of such subcultural phenomena is a recurring theme in my artistic practice.
In this installation, I am creating a fictional musical group composed of two characters resembling animatronic. The concept draws from the romanticized notion of a teenage rock band, symbolizing freedom and fulfilling the dream of many teenagers aspiring to become independent and famous musicians.” — Misha Gudwin.
‘THIS IS MY ROCK BAND — MOONLINGHT’ — Misha Gudwin by Edicola Radetzky X Fabula Gallery, Milan
A video-based online exhibition after an international open-call about the last moments in an artwork’s life after captured in a series of episodes by New Scenario, Creamcake and HAU.
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Goblin Doors
Organised by Sakari Tervo with text by Jussi Niskanen.
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Gallery Fiction
Essay by Tzvetnik’s co-founder Natalya Serkova on art for the online audience as part of O Fluxo’s Flatland project.
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G.O.D.2: Garden of Dreams
A collaborative project between seven artist-run spaces in collaboration with Plague and O Fluxo.
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Profile
Trey Abdella
“Trey Abdella’s work reckons with the horror and melancholy of the American dream. Blurring the lines between painting, sculpture, and assemblage, the artist combines hyperrealistic painting with moments of sculpted out resin and found objects that play with illusionistic depth, utilizing mixed-media materials such as wigs, broken glass, resin, magic 8 balls, fake flowers, and functioning clocks. Abdella keeps in mind a balance of narrative, both the pleasant and painful facets of suburban life. Storytelling is at the heart of Abdella’s artistic practice.” —eazel.
Stef Van Looveren's work "Onus", part of the group exhibition HYPERTENSION23, curated by Monika Cejkova, is on view at ngprague until February 11th, 2024
“NFTs are dead”, is a provocation intended to stimulate reflection on the speed with which trends in the digital art world are perceived by the public. This statement, imbued with provocative immediacy, echoes the dialectic tension inherent in contradiction.
This work, exploring the future of digital art in a world that is constantly changing and whose future is decidedly impactful. The phrase ‘NFTs are dead’ emerges not as a denial but as an incitement, a provocative stimulus pushing us towards the liminal spaces of thought. In this provocation lies a strong principle of contradiction.”
“NFTs are dead” is a public intervention in various locations, Italy by Skygolpe.
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O FLUXO is an online platform for contemporary art. EST. Lisbon 2010